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JORGE CERVANTES BIBBIA ITALIANO PDF

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Reason and Revolution: Hegel and the Rise of Social Theory, p. These synoptic tables must not be thought of as an end in themselves but as a means of increasing the expressive lyrical force.

We have therefore to avoid attempting pictorial effects, or amusing ourselves by playing around with intersecting lines or unusual typographical distortions.

In Words-in-Freedom we must totally eradicate everything that does not aspire to express the fleeting, mysterious Futurist sensibility by means of this most innovative geometrical and mechanical splen- dor.

Intellectually he belonged to Apollinaire, but temperamentally he resembled Mari- netti The Aesthetics of Visual Poetry, p. Guillermo de Torre: Here, we find six poems characterized by an unrestricted use of syntax and calligrams: In this Cubism-related calligram calligramme , the poet endeavours to merge the earth rockets — fireworks — hair and sky comet — Urania, the muse of Astron- omy by means of a game.

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Certain key words summer, sun, siesta, azure, thirst, mirage, etc. The synchronicity of observation, the all-encompassing view from the cockpit produce a compenetration of shapes: Previously published in Grecia 29 12 October The calligrammatic words appear to be projected on a canvas or a cinema screen. The second part also fea- tures various visual analogies: The circle could be a visual metonymy of the wheel of the threshing machine or, simply, the trail it leaves behind.

The poem ends with an aural juxtaposition: The Aesthetics of Visual Poetry, pp. The poem illustrates a cosmic dawn, with the symbol for the astrological sign Libra standing in the centre of the poem and suggesting of balance and stability.

Once again, the theme of fusion of the earthly and celestial spheres is present: Like Filippo Tommaso Marinetti in ,74 Guillermo de Torre is flying high in his epic universe, undisturbed by the critics. Ex-Libris for Guillermo de Torre. Prior to undertaking such an analysis, the Ultra movement needs to be re-examined from a conceptual viewpoint: Ultraism undoubtedly possessed a heterogeneous nature and was the result of a cross-breeding with the aesthetics of other avant-garde movements.

However, the resulting claim that it was devoid of ethics and ideological organicity pro- duced a stalemate that has been detrimental to the development of Torre studies. The hybridism and protean nature of Ultraism are undeniable; therefore, further investigations are needed so that its composite identity can be revealed in a more detailed fasion. The Spanish writers formed an intellectual association that was based on the Italian model.

However, this alliance was incoherent, inconsistent, chequered, and therefore not as supportive as one would hope for, or as organic as — at least ten- dentially — the Futurist group was.

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Yet, the Spanish avant-garde did band together formally as a group, comprising of guiding figures and various subdivisions. Above all, an indigenous identity, featuring formal and original devices, incisive terms and neologisms gradually emerged. Although the Ultraists adopted some of the aesthetic devices from the Italians, they nevertheless eschewed all forms of sterile imitation. Futurismi in Spagna, pp. He substituted the Greek prefix poly- with the Latin prefix multi-.

Bibliography Anderson, Andrew A.: International Futurism in Arts and Literature. De Gruyter, Taurus, Devenir, Alfar, Poemas Literaturas europeas de vanguardia. Renacimiento, Poesie — A cura di Daniele Corsi. Bibliotheca Aretina, Iberian Futurisms: International Yearbook of Futurism Studies. Universidad de Extremadura, Greenwood Publishing Group, Bohn, Willard: The Aesthetics of Visual Poetry — Cambridge University Press, Reading Visual Poetry.

Farleigh Dickinson University Press, Bonet, Juan Manuel: Alianza, Bonet, Juan Manuel, ed.: Las cosas se han roto: Borges, Jorge Luis: Brihuega, Jaime, ed.: Manifiestos, proclamas, panfletos y textos doctrinales: Futurismo, cultura e politica. Fondazione Giovanni Agnelli, Theorie der Avantgarde.

Frankfurt am Main: Suhrkamp, Five Faces of Modernity: Duke University Press, Cano Ballesta, Juan: Cano Ballesta: Carrouges, Michel: La Mystique du surhomme. Gallimard, Abete, Concha, Jaime: Vicente Huidobro. Corsi, Daniele: Madrid, inverno del Giudizi e pregiudizi: Alinea, Vaso Roto, Norme per lo spettacolo: Norme per lo spettatore. Futurismi in Spagna: Aracne, Daniele Corsi: I lessici neologici e la pagina-schermo nella poesia di Guillermo de Torre. Traduzione e autotraduzione: Un percorso attraverso i generi letterari.

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ETS, El Carro de la Nieve, Crispolti, Enrico: Il mito della macchina e altri temi del futurismo. Celebes, De Maria, Luciano: Marinetti poeta e ideologo. Teoria e invenzione futurista.

Mondadori, Per conoscere Marinetti e il futurismo. Marsilio, Laberinto, Fuentes Florido, Francisco, ed.: Mitre, Godoli, Ezio, ed.: Dizionario del futurismo.

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Vallecchi, Biblioteca Nueva, Harris, Derek, ed.: The Spanish Avant-garde. Manchester University Press, Huidobro, Vicente: Ilie, Paul: Larsen, Neil, and Sousa, Ronald W.: Ideologies and Literature: Journal of Hispanic and Luso-Brazilian Literatures 4: Lentzen, Manfred: Vervuert, La multicul- turalidad en las artes y en la aquitectura. Las Palmas de Gran Canaria: Anroart, Marcuse, Herbert: Hegel and the Rise of Social Theory. Beacon Press, Marinetti, Filippo Tommaso: Critical Writings.

New York: Farrar, Straus and Giroux, A cura di Luciano De Maria. Morelli, Gabriele, ed.: Jaca Book, Morelli, ed.: Ochoa de Eribe Urdinguio, Marian: Del futurismo hacia nuevas concreciones poeticas: Entre el humanismo colectivo y el humanismo individualista.

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Revista de Occidente, Identity and Hybridity in the Spanish Avant-garde. Perloff, Marjorie: The Futurist Moment: The University of Chicago Press, Pignotti, Lamberto, and Stefanelli, Stefania: La scrittura verbo-visiva: Le avanguardie del Novecento tra parola e imagine.

Scrittura verbovisiva e sinestetica. Campanotto, Poggioli, Renato: Il Mulino, Polacci, Francesca, and Dario Tomasello: Bisogno furioso di liberare le parole, tra verbale e visivo: Percorsi analitici delle tavole parolibere futuriste. Le Lettere, The Cradle of Modernism. Blackwell, Rainey, Lawrence, ed.: An Anthology. Rota, Ivana, ed.: Baroni, Rozas, Juan Manuel: Departamento de Literatura, The Invention of Politics in the European Avant-garde — Rodopi, Istmo, Stefanelli, Stefania, ed.: I manifesti futuristi: Arte e lessico.

Sillabe, Avanguardie e lingue iberiche nel primo Novecento. Edizioni della Normale, Stegagno Picchio, Luciana: Il poeta e la finzione: Scritti su Fernando Pessoa. Tilgher, Revista quincenal ilustrada 5: Reprinted in Hugo Verani, ed.: Manifiestos, proclamas y otros escritos. Bulzoni,