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In Red , Swift spared no emotional devastation and stopped just short of naming the names of her loves-gone-wrong but nevertheless provided tantalizing clues in special code in the album notes.
Among the most-guessed-at targets were actor Jake Gyllenhaal and boy-band lothario Harry Styles. She herself claims, "I've only had three real relationships, and none of them lasted more than four months. Name-calling becomes a problem when you have 44 million Twitter followers, as Swift does, and many are young teens. The accusations bothered her terribly. She came to a realization: There are usually 15 paparazzi waiting outside my house, so if I'd had a guy over here, there would have been photos of him," she says.
Megastardom these days means having to anticipate the moment and get out in front of the audience with the cleverest and most creative social-media packaging—along with keeping cool in the line of fire. When asked how she manages to keep all the social-media chatter about her straight, she rather innocently tells me her publicist, Tree Paine, has a Google alert on her.
But in the midst of all the hubbub, her best shrink is still her mom, Andrea.
She made us study, she made us learn about manners and how to clean a house and get ready for company and entertain guests—all those things my brother and I used to roll our eyes at, things I am now so thankful I possess. Then one day you wake up and you feel like you finished this album.
Still, this time around, Swift has to be mindful of country-music fans and radio stations feeling deserted by her. The album drops October 27 and crashed her Web site with the massive demand for preorders. Country music remains her "emotional profile," however, and she's done so many country-radio tours, she can recite the names of the DJs' kids.
I am never going to write a song about going to a club for no reason But this is a pop album," she insists. Apart from the genre concerns Swift faces, gender issues are also ahead of her. There aren't many, and I wish there were more," she says.
Stefani and Lopez have children, I comment, and ask whether she doesn't worry that being so driven and hard on herself might be heavy baggage for her own kids someday. Though Swift admits she thinks about it a lot, she says, "I don't know if I'll have kids.
It's impossible not to picture certain scenarios and how you would try to convince them that they have a normal life when, inevitably, there will be strange men pointing giant cameras at them from the time they are babies. Before children come along, however, that age-old artistic question will most likely be asked: Who wins, the song or the guy? Will Mr. Right get in the way of her lyrics? With Swift, it's hard to know which one to bet on.
Because I don't ever edit now," she admits. Unless that happens, I am so good alone. It's not sad; it's not tragic. Not that anyone is beginning to feel sorry for Swift.
Still shy of 25, she is a juggernaut, so adept at communicating on a global level and preternaturally savvy about thinking big with multiple moving parts. I ask whether she has ever considered going into politics—given her skills in anticipating the moment and connecting with a huge audience—or running something even more complicated than the business of being Swift. I've thought about if I were to be passionate about something political, stepping forward and speaking about it.