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Use variants of one font family to give a consistent but unique feel to individual sections. Yet Roberts blithely goes on to describe the deaths of others and rather coldly, I thought, comes to the conclusion that it is all worth it. Nevertheless, you will keep reading his essay, wondering what horror awaits around the corner.
There's a marvelous essay, "Voyage of the Smithereens," about six friends who embark on a trip to some islands in the Caribbean on a forty-two foot sloop. Sounds marvelous, right? Except that quarters are very small and personalities undergo quite a sea-change, the best friend morphing into Captain Bligh.
The bunks are tiny, and soon the roomier accommodations are being fought over. I felt as if I'd traveled to paradise, found a perfect conch, put the shell to my ear, and heard the sound of children arguing over a nickel. Continuing with the nautical, Jonathan Raban's essay is fun.
He describes being on a freighter at the tail end of a hurricane, the deck moving through an arc of 75 degrees.
It being a British ship, s tiff upper lip was de rigueur. He reflects on the case of the Mignonette a case that Michael Sandel discusses in his course on justice in which after the ship foundered, four sailors and a cabin boy resorted to cannibalism, the older sailors eating the cabin boy who lost the throw of the dice. The trial when they returned to England was a sensation: they were found guilty, sentenced to hang, but then pardoned. The defense had argued there was no law in an unflagged lifeboat miles in the middle of the ocean, but the guilty verdict was necessary to hammer home the long reach of British justice.