Test the possibilities of our furniture. The mobile app allows you to carefully examine the functionalities of VOX furniture while browsing through our catalogue. iltmore® by Fine Furniture. Design is inspired by George and Edith. Vanderbilt's comfortable approach to gracious living and hospitality. Grounded in beauty and . We at Meuble El Chark can confidently boast of our pursuit of excellence and our long-term vision; for us, carving wood to make furniture is not just a profession.
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PURE FURNITURE IS ESTABLISHED IN ROMANIA, EASTERN EUROPE, IN BY “THREE. FURNITURE MAGAZINE SOFA TABLE. furniture from solid wood. Craftsmanship and enduring design bedside light as with a pile of magazine and a cup of tea by the open fire. BEDSIDE TABLES. Download and consult furniture and furnishing accessories pdf catalogues. Discover MDF Italia's main features.
Every one of our products is carefully hand-finished by master craftspeople — using traditional knowledge and a loving eye for detail. Our style is characterised by its timeless aesthetic, which we repeatedly refine in cooperation with well-known designers. The interplay of design and craftsmanship leads to the creation of fascinating furniture valued by our customers — often for several generations. They are carefully coordinated and meticulously crafted to create unique pieces of furniture, full of character and beyond all fashions and trends, bound to delight their owners for a lifetime. We therefore seek intensive exchanges with a range of designers who, like us, follow a clear line. Together we consistently develop our portfolio of high-quality furniture. This allows contemporary interpretations of traditional forms to emerge as timeless pieces of classic furniture that will more than fulfil the highest expectations.
That revelation led them on a journey that continues today, as the company sources environmentally responsible materials for their products, which expanded from upholstered chairs in the early days to include sofas, tables, window treatments, lighting, and more today.
Today their collections are sold in more than 30 stores, as well as through a contract division serving the hospitality and commercial services industries and a recent partnership with the workspace furniture manufacturer Steelcase. Forest Service requirements for harvest and reforestation.
By recycling packaging material and upcycling leather and fabric scraps, they reduced their annual landfill waste by more than pounds. Throughout all these efforts, the duo has debunked the myth that it costs more to do the right thing, says Gold, chairman of the company. Homes today have much tighter building envelopes than in the past, he notes, which can help conserve energy but also trap in any contaminants.
Their desire to keep furniture out of the landfill is at the heart of their design philosophy. Catalog Number and disclaimer Catalog TCA-D01 If you purchase another item with this same catalog number, you will get two identical items.
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Years later it got rotten and subsequently discarded.
Now the Son of the man who originally built it from the magazine plans in his wood shop in Milwaukie, Oregon works with me and he helped his Dad build it in We decided to search for the plans and if we found them; I an engineer would upgrade it for two adults and build it. I bought your disk and building started last May 25 and it was ready to launch July 20th. Hope you enjoy the pictures attached. I am 60 years old but still chasing the dream as you see from my smile in the boat. Thank you for the great plans.
Unbelievable amount of information for the money. I can't wait to get started. I built the doghouse using the plans I purchased from you a week ago, and it was great. Easy to read and follow, it was a great purchase.
The kids helped, and the dog just loves it. Thank you so much. It'll take years to go through all the stuff I want to build on your CD. Andrew H. The jungle gym for the kids is amazing. We bought the plans 2 weeks ago, and built the whole thing last weekend.
We are so impressed with the amount of information shown. It is a virtual encyclopedia of plans. Josh L. My God!! That's more boats than I can build in a lifetime! The best I have ever seen. Thank you! Craig J. I've seen plenty of plans on boats. This is the best all around package of information I've come across. Jake M. This has saved me so much time. I've spent weeks looking for stuff like this.
Well worth the few bucks to get this CD. Jimmy K. Applied ornament, often gilded, took the form of laurel swags, urns, and medallions. Federal wall mirror see p.
Characterized by light colours and rich silk damasks, it was based on Neoclassical elements, such as friezes, fluting, and laurel festoons, but the furniture was painted rather than gilded. Klismos-style chairs upholstered in silk and oval-backed chairs with straight, fluted legs were typical.
Entire rooms were decorated in the Gustavian style and often had panelled walls embellished with tall giltwood-framed mirrors. Taking its name from the creation of the Federal constitution in , the Federal style was an American form of Neoclassicism, based primarily on British forms.
Furniture was predominantly made of mahogany, and was light in style, with a sparing use of ornament. Typical motifs included the American eagle, carved scrolls, bellflowers, swags, and shells.
Late Federal pieces began to reflect the influence of Empire style, with applied ormolu mounts and brass banding. Principally a middle-class interpretation of the high French style, Biedermeier furniture was simple, classical, comfortable, and practical. The majority of pieces were rectilinear, and Classical motifs and the sabre leg were common features. Although many pieces were made from mahogany, light-coloured native woods such as walnut, cherry, birch, pear, and maple, were also used, often punctuated with ebonized highlights.
Biedermeier furniture was visibly hand-crafted, adding to its homely appeal. Chairs and sofas were usually upholstered in pale fabrics to match the overall light colour schemes that were a prominent feature of Biedermeier interiors. Empire mahogany-veneered commode see p. The style was inspired not only by ancient Greece and Rome, but also by ancient Egypt. Rectilinear forms took on grand proportions and were often embellished with brass or gilt mounts, or with sumptuous fabrics.
Designers used architectural elements, such as pediments and columns, on case pieces, and sabre or splayed legs on seating. The style directly influenced the Regency style in Britain, the Empire style in the United States, and the Biedermeier style in Germany. Biedermeier walnut-veneered commode see p.
The style was characterized by sinuous, asymmetrical lines and was primarily inspired by nature, although there were variations from one country to another. It echoed many of the decorative motifs of the Rococo style years before and was also influenced by Japanese art.
Expressed initially through architecture, the movement spread, and furniture designers embraced manufacturing processes with renewed verve. Forms became predominantly stark, geometrical, and stripped of all ornament — being functional was all-important.
Preferred materials included glass, laminated wood, and tubular steel, and new designs included the cantilever chair. Art Deco table by Ruhlmann see p. Typical motifs included stylized sunbursts, chevrons, and abstract geometric patterns. Modernist Wasilly Chair see p. Epitomized by the Victorian interior in Britain, reproductions of earlier pieces in the Gothic, Renaissance, and Rococo styles were mass produced, in line with industrialization.
There was a greater emphasis on comfort, reflected in curvaceous forms and deep-buttoned upholstery.
Arts and Crafts Movement A forceful rejection of the mass-produced, shoddy furniture produced as a result of the Industrial Revolution, the Arts and Crafts Movement championed good design, skilled craftsmanship, and the finest traditional building materials, as part of an ideal of the good life. The style associated with the movement developed in Britain and the United States during the second half of the 19th century and lasted well into the 20th century.
Designers worked with native woods — predominantly oak — and produced simple, geometric pieces based on traditional vernacular forms, such as the settle.