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Birkhäuser – Publishers for Architecture. Basel · Boston · Berlin. ANDREA DEPLAZES (ED.) BIRKHÄUSER. CONSTRUCTING ARCHITECTURE. MATERIALS. CONSTRUCTING ARCHITECTURE ANDREA DEPLAZES (ED.) BIRKHÄUSER CONSTRUCTING ARCHITECTURE MATERIALS PROCESSES STRUCTURES. CONSTRUCTING ARCHITECTURE ANDREA DEPLAZES (ED.) Birkhauser- Publishers for Architecture P.O. Box , Basel, Switzerland Part of.
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Tectonics always incorporates all three components: the conceptual connection of the physical assembly and the metaphysical, architectural space, and all the mutually interacting, transforming and influencing aspects, which, in the end, are specific and also exemplary.
The best that a university can achieve is to teach its students to teach themselves. This includes: independent establishment of basic premises, critical analysis and intensive research, advancing hypotheses and working out syntheses.
Many topics in the basic courses are theses that do not have to be true just because they appear in this book in black and white. Nor does this book replace the subject material taught in the lectures.
An artefact raises the question: how did it gain its shape? We may distinguish between two approaches to answer this question.
First, which external influences affect the development of a shape?
This question suggests a number of factors, e. Second, which criteria determine the shape?
This question focuses on the intent, on a range of criteria carefully chosen by the designer. After all, the shape is the result of a complex interaction of different factors. Only this interaction of factors allows a sensible composition. Composition is not an inevitable result.
Within the bounds of a logical solution there always exist different options. This book concentrates primarily on this range. In the case of multi-storey stairs the upper part of the lower and the lower part of the upper flight are to be shown. A continuous arrow shows the upward direction of stairs and ramps. If the stairs rise only one storey, the stairs above the cut line are re presented by chain-dot lines.
They are principally intended for the client and the building authorities. Openings are shown as holes, strips, etc. Windows, plinths, roof edges, facade surfaces, etc.
The general arrangement drawings are used as the basis for the building approval drawings. In most cases the general arrangement drawings are equivalent to the building approval drawings. The local building authori- ties prescribe which additional information the building approval drawings must contain.
Working drawings, scale The working drawings and fabrication drawings are essentially limited to the primary building components without finishes and show elements of the construction such as walls, floors, roofs, spandrel panels, lintels with or without sunshading and stairs.
These drawings serve as a means of communication between the members of the design team and the contractor s , and are used for actually carrying out the construction work on site. The layers loadbearing, insulating, protective are shown when they can be reasonably represented at this scale.
The surface finishes are defined via legends texts. The plinth—wall, wall— floor, wall— roof junction details plus ope- nings etc. Thin layers such as plaster etc. The windows may be shown simplified: frame and lights together as a box; where necessary, frame and lights are distinguished on elevations and the type of opening indicated.
Type of sunshading, internal or external.
Dimensions on working drawings Dimensions are arranged in a hierarchical form beginning with the principal dimensions furthest from the compo- nent, parts nearer to the component and details closest to the component.