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The Walking Dead Compendium Vol. 2 - Kindle edition by Robert Kirkman, Sina Grace, Charlie Adlard, Cliff Rathburn, Stefano Gaudiano. Download it once and. Editorial Reviews. Review. The Walking Dead is all about the living, the people who struggle to retain their humanity in the face of the unspeakable. So what. Kindle eBooks. Comics, Manga & Graphic Novels. The Walking Dead (Omnibuses) (3 Book Series) to The Walking Dead Compendium Vol. 3.
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However, that seems to be an impossible goal since there are zombies everywhere! Any potential paradise reveals a hidden biting snake. In our society, you never would want to go prison, but in an apocalyptical dystopia plagued with zombies, a prison would look like the logical choice.
A shocking revelation will expose a new facet about their life-and-death condition. And also, they will find soon enough that zombies may be deadly, but men are evil. And men are able to do more horrible things than any zombie.
Menaces outside and inside of the prison. Rick finally realizes that any sentimental sense of righteousness is long gone in this insane world and now he is taking the hard choices if he really wants the survival of his group. What the hell are you feeding them?
The Governor Run, everyone! Rick, Michonne and Glenn while checking out the helicopter, they reach a fortified town. Welcome to Woodbury. They would wish to face a legion of zombies instead rather than The Governor!
Rick, Michonne and Glenn are trapped in Woodbury. And each one of them never would be the same anymore. You cease of thinking, hearing and feeling.
However they are similar in an aspect This is only the calm before the storming arrival of the dwellers of Woodbury to the prison. This is it! The showdown that you all have been waiting for, during the entire compendium! Villains will rise, heroes will fall. Characters that you have been thinking that they are irrelevant will prove their value in key moments of survival. This is a war And in war, disgusting unspeakable sad things happen.
This is Christmas is coming, or at least their calculations say so. Morgan does his best to bring a momento of peace and joy to his son, Duane, at least for one day in their uncertain existence of survival. View all 30 comments.
Oct 04, HFK rated it liked it Shelves: So, I am finally jumping on the bandwagon with The Walking Dead , which is pretty late considering I do own all the three published compendiums, and they do have an solid dust coverage on top of them. As many, I too have watched the TV-show, but I lost my interest towards it after the fourth or fifth season. Really, who can remember such a things, not me. Anyhow, it was fun as long as it lasted, but it got quite repetitive for my tastes, and when I missed a few episodes, it was so long goodbye ahe So, I am finally jumping on the bandwagon with The Walking Dead , which is pretty late considering I do own all the three published compendiums, and they do have an solid dust coverage on top of them.
Anyhow, it was fun as long as it lasted, but it got quite repetitive for my tastes, and when I missed a few episodes, it was so long goodbye ahead of me. I might someday return to it, do a rerun marathon, but that day will be somewhere in the far, far future. I know, I am doing the unspeakable comparison over here because these two works have absolute nothing in common.
But, what I mean by this is the following: Few years ago I was tied to a bed due to complicated pregnancy, which naturally affected my sleeping rhythm. Being a night person, it quickly turned to me being awake in the middle of the night, and sleeping most of my days. It pretty much sounds like a heaven to lazy people, but it really wasn't.
So, there I was laying on the sofa while rest of the family was sleeping like a normal people do, with nothing to watch.
Internet connection was off for reasons unknown, I was too sick to rumble over my massive DVD-collection. But hey, there was a Jersey Shore reruns on! Ugh, I had avoided that series like a pro for when it was the IT thing, and there I was, watching some seriously ridiculous stuff and even more ridiculous and bad drama.
Oh the fuck the drama. But the thing is, I could not stop after I got myself rolling on with it. I binge watched it like a madwoman, and when all the seasons my TV was able to show were done, I furiously Googled me the rest of the seasons to get my very much needed fix. It was mad, it was crazy. I was like an addict in look for my next dose, no matter the cost. It was insane, or maybe it was just me experiencing a moment of the good ol' insanity.
And this is exactly how I felt with the first compendium with this series. I could not stop myself.
I had to binge read this in a few sittings middle of the night while my reading light had an constant epileptic seizure, and even when I knew I would be like a brain needing zombie when the morning would finally come, there was no stopping me. Surely, it is occasionally quite fantastic look at how people survive in extreme conditions, it does show the dynamic and nature of the humankind, and it certainly is not a beautiful picture that is painted of it.
There is a lot of death, a lot of struggle, and oh yes, a fucking a much a lot of drama. So it is semi-good Jersey Shore is not even close to semi-good because it is painfully bad , it is addictive, it is interesting, it is captivating. But it just simple is not that good. I knew to expect certain kind of dialogue and characters due to reading Kirkman's The Outcast series, which really is not a comic I actually like, and it seems I was onto something because the same issues are very much in present within The Walking Dead , too.
Dialogue is awkward, it is overly emotional and dramatic, it is often discontinuous in many levels, but at least it is very fast paced, which makes it tolerable, and probably what makes it to be such an addictive experience, too. The characters are overwritten, mostly portraying strong and specific traits, which makes them a good case of fluffy character study.
Too bad that most of them are hugely unlikable, annoying, and very much the kinds that are easily experiencing snowflakish overreactions, which is of course supported with art that really highlights every emotion there is for the reader to experience.
In a bad way. Rick, that damn snowflake of a man. Lori, argh. The good news is that the TV-show is very respectful and true to the comics, but there is enough differences between what happens, how the story develops, and especially how each character's roles have been changed to fit the demand.
If I would need to choose, I would go with the TV-show, no doubt about that. The Walking Dead is a long series, at this very moment there is single issues published, and this compendium collects the first 48 issues, making it a total of 8 volumes 4 book editions, 2 omnibus editions.
It is over pages of black and white art, and drama. A lot of drama. And that over pages is heavy for the hands, because this fucker is huge and it weights insanely much, but if there is will, there will be a way. And that is pretty much getting either your hands or neck screwed, but it might be just me and my lousy reading positions, but be warned. I would still recommend this, and I am happy to be able to continue the series, but I would suggest it to be read in compendiums rather than in single issues, volumes, books, or even in omnibus editions.
For one, it saves you a lot of money, and for two, it will be enough for a complete story line without painful slows, downs, ups and fasts being heavily unbalanced. Three shiny stars because hell yeah I am hooked as fuck, but no four shiny stars because as I said, it just is not that good.
View all 10 comments. Zombie lovers and all around gore adorers. If you watch The Walking Dead aka stalking Daryl Dixon , throw any notions you may have about the show paralleling the comics right out the fucking window. This version does not have this: Or that: I may have even missed this a tiny bit: It does have this: And that: Although our friend the Governor on the show is rated G compared to the comic version.
Now take all the sick, twisted, and fucked up things that happen on the show and multiply the fucked-upness by a gazillion. Throw in some added gor If you watch The Walking Dead aka stalking Daryl Dixon , throw any notions you may have about the show paralleling the comics right out the fucking window.
Throw in some added gore and psychologically damaging events beyond human comprehension, and you get this book. Fucking WIN. I still miss seeing this a bit a lot. View all 19 comments. Oct 15, Trudi rated it really liked it Recommends it for: This is my second go-around with this sprawling, epic compendium in preparation for tackling the follow-up.
I'm so glad I did a re-read because there was a lot I had plain forgotten and much more I had gotten tangled-up with the television series. Only reading the source material again, did I realize just how much the producers of the show actually changed from Kirkman's comic. The fundamentals of the story are essentially the same, but the devilish details have undergone quite a makeover. I hav This is my second go-around with this sprawling, epic compendium in preparation for tackling the follow-up.
I have to say, as much as I'm a fan of the comic, most of the changes I approve of and in some cases, even prefer. Carol's character is much more likeable and awesome on the small screen certainly not as needy and neurotic as comic book Carol. The invention of Daryl my favorite on-screen character and his uber-violent, redneck brother Merle played oh-so-convincingly by Michael Rooker , have been magnificent contributions to the ensemble cast.
I'm glad they didn't put Dale and Andrea together in the show, though I do wish they hadn't made Andrea so unlikable. Her character in the comic is kick-ass and great. On the show? I want to smack her most of the time. It remains to be seen what they will do with Michonne's character but I'm glad the show did not go as dark and disturbing as the comic with what happened between her and the Governor.
That was some sick shit I did not need to ever read or see. Loved how the show handled it overall. Television Michonne seems more together and not as damaged. She's not talking to voices in her head either at least not yet. The Walking Dead launched in the fall of and shows no signs of wrapping up. Kirkman has created a post-apocalyptic zombie soap opera, where the soap is made out of lye. The story is harsh -- almost nihilistic in its way -- extremely violent, and peppered throughout with characters hooking up in almost sure to be doomed relationships.
Because really, no one is safe, and you come to terms with that pretty quickly. Kirkman is not fucking around here. No one should feel safe with zombies gnawing at the door and the world collapsing in on itself -- and you will not feel safe reading this series. Rather than take years to ingest this story -- painstakingly patient -- issue by issue -- I gorged unapologetically over a gluttonous three days.
This page compendium weighs nearly five pounds, and it was a bitch to maneuver in bed at night, but to get so much of the story so quickly was worth it. This first compendium collects up to issue 48 Book Four in hardcover or Volume Eight in soft. The Walking Dead is archetype apocalyptic zombie horror. The story gripped me, shook me, unsettled me and left me panting for more, but make no mistake, there is nothing original here at least not yet.
The zombies are your average grasping, gnawing, slow-moving creatures seen in any Romero movie. The survivors are shell-shocked, hardened, weary and a bit mad as you would expect. The strong begin preying on the weak, and when the worst of human nature begins to reveal itself, survivors realize the zombies are the least of their problems in this new world order. I thought a graphic novel about zombies cast in black and white would look dull and lifeless on the page.
I now think color would have been overkill in this case, detracting from the story. The art is simply outstanding — emotions and action, both subtle and in your face, are captured perfectly. It takes a lot to shock me these days, and there are sequences that did just that. Gruesome stuff! But very well-presented. It felt earned not gratuitous. Like holy moses batman, that was intense and so unexpected. Sep 26, Madeline rated it liked it. I really, really love zombie movies, and anything really that involves zombies.
Yes, even Pride and Prejudice and Zombies. If you can't like that idea at least a little bit, then I can't like you. But pretty quickly after my zombie obsession started, I realized that what interests me about these stories isn't the zombie killing aspect at all.
Instead, what really fascinates me about zombie apocalypse movies is how they portray the breakdown of society, and how people deal with this. Blowing zo I really, really love zombie movies, and anything really that involves zombies. Blowing zombie heads off with shotguns and slicing them up with machetes is fun to watch because zombies, like Nazis, can be slaughtered in the thousands and you don't feel even a little bit sorry for them - even when there's a really heartwrenching moment when someone has to shoot their zombiefied mom, it really doesn't make me feel that bad because she's not your mom anymore, she's a zombie who's going to eat you and there is a big difference but what always interests me more in these stories is what happens when the normal rules of society no longer apply.
If the world collapsed tomorrow and all that mattered was survival - not morality, not family, not religion - what would you do? When the zombie apocalypse happens, all bets are off and society crumbles.
Once this happens, once we pretty much do whatever we want because everything has been destroyed, how do we react? Who do we become when we lose everything? If these questions interest you more than simple zombie killing, The Walking Dead will make you very happy. Yes, there are zombie killings aplenty drawn in super graphic detail, to the point where you probably shouldn't be eating anything while you read this , but the zombies are not the problem here.
These aren't 28 Days Later zombies which, if we're going to get technical, weren't really zombies at all that are smart and run scary fast. These are slow, dumb, lumbering things that hunt mainly by smell, and whose strategy for finding food is basically to wander around and hope to stumble within grabbing distance of something edible.
The zombies in The Walking Dead are not a huge threat. The threat is the people left behind, trying to make a life in this disaster wasteland aftermath. Let me warn you right away: Even our good guy main character, the former police officer Rick, cracks under the pressure and becomes significantly less heroic than he wishes he could be.
People kill other people. They torture and rape other people, and do similarly awful things in order to survive. This isn't a zombie movie, where the tight-knit group pf heroes find a safe haven or maybe even a cure and then the credits roll. There are no credits here, and even when our main characters find a relatively secure place where they can live, things aren't over. They still have to push the zombies back every day, and find a source of food, and keep other people from attacking their hiding place.
And they still have to deal with each other. To paraphrase Sartre, Hell isn't a zombie apocalypse, Hell is other people. View all 8 comments. Jan 20, Bark rated it really liked it Shelves: I cannot believe the dark places this graphic novel delves. No one, and I mean no one, is safe in this ongoing saga. It takes place after the dead have risen and destroyed everything and follows a handful of often rotating survivors as they try to get by in a frightening new world.
It starts out a little slow as everything is set up but once it gets going I didn't want to put it down. It is less focused on the zombies than its core of characters and their interaction and relationships but there i I cannot believe the dark places this graphic novel delves. It is less focused on the zombies than its core of characters and their interaction and relationships but there is plenty of gore to go around.
It's horrible, sad and unputtdownable. This volume collects issues 1 - 48 of the long running series and man is this sucker heavy! View all 9 comments. Apr 12, alluu rated it it was ok Shelves: To say I was disappointed would be an understatement. Where to begin? I really enjoy reading comics or graphic novels, if that's the term you prefer and am constantly on the lookout for something new to enjoy in the genre.
For the most part, I tend to read classic, well known stuff like Alan Moore's work or Maus or things like that. Recently I got the itch to try out something a bit more, well, recent! Something new and fresh.
It seems like everybody's reading The Walking Dead nowadays, and Wow. It seems like everybody's reading The Walking Dead nowadays, and also raving about it. This compendium holds an average rating of 4. So I decided to pick it up.
Now, having read through it all, I'm confused.
I just don't get the praise the series gets. I like the concept. I like the dark no-one-is-safe atmosphere. The art is fittingly bleak and gritty, if not particularly inspired. The problem with The Walking Dead is that it's boring and badly written. Nearly all of the characters are either shallow, plain or outright annoying, especially the women except Andrea.
Dialogue is awkward and clunky, riddled with cliches, worn phrases and forced exposition. So the series is basically about about character development. And that's great! But if you do it badly, you end up with a cheap soap opera. And that's what The Walking Dead really is: With zombies. Even the zombies are kind of lame and serve primarily as an excuse to include mindless action scenes, which do little to break up the monotony of it all. Rarely does anything too exciting happen and the plot moves forward at a snail's pace.
People die and argue violently with each other all the time, but it all lacks dramatic punch. After the a while, you just stop caring. This review may sound harsh, but reading through the compendium has been a frustrating experience.
I really wanted to like this and there were some good bits here and there, but I expected something much better based on all the positive reviews. What is it about The Walking Dead that I just don't get? View all 5 comments. Mar 23, Francesca rated it really liked it Shelves: My actual rating is 4. It's unfair to compare the comics to the TV series. The two are very different from each other and I am coming into it from the wrong side, having watched and fallen in love with the show first and then discovering the comics.
However, comparisons are inevitable as they still share so much in common. They have the same basic plotline's, the same locations, and a lot of the same characters even if these characters can sometimes be very different.
I admit that I do My actual rating is 4. I admit that I do slightly prefer the series but as I watched it first my bias was already directed towards it. Despite that, I still loved the comics and was absolutely gripped from start to finish and I appreciate the fact that they're both using different mediums to tell the story and what works for one doesn't work for the other.
The main difference which I felt was necessary was the pacing. The comics move at a very fast pace and in this format it works.
People would not download comic after comic of nothing much happening and little action and drama, it would make for a very dull read and people would get bored.
The show moves at a slower pace because it has to. If the show moved at the same pace as the comics, people would lose interest because there's nothing to really hold onto. As soon as one thing happens, it's straight onto the next and the comics have characters dropping like flies. A show couldn't do that. The pacing also means that a similar thing happens to the characters.
In the comics, the characters have to develop quickly and this can sometimes result in moments that seem completely out of the blue or sudden but it works because they keep the entertainment going.
In the show, the characters are able to develop at a slightly slower and more realistic pace which allows the viewer to get more attached to them and invested in them. I realised about half way through reading this compendium that the reason I slightly prefer the show is because the slower pacing works better for me and for my tastes.
However, I'm sure there are many who would feel the complete opposite as I have definitely seen complaints about the shows slow pace before and I think some people would be better suited to the pacing of the comics.
I found a lot of the differences interesting in the general plot of the story. Andrea was pretty awesome in the comics and while I didn't mind her in the show, I can see that her character was done a huge disservice. On the other hand, Carol was vastly improved on in the show. Michonne was still just as badass in both but I felt glad that she didn't have to go through the same trauma.
The Governor was on a whole other level of evil in the comics than the show. He has always been my most hated 'villain' in the show because although we were shown people that technically did worse or more insane things, I found him incredibly creepy and unnerving because he's the kind of manipulative bastard that I can't stand.
The show gave him some episodes that seemed like they were trying to almost redeem him which I hated so I was so glad that the comics showed him as truly vile throughout. Some of the characters from the show don't exist in the comics and vice versa and while I missed the presence of some of the characters Read: Daryl and Merle I wasn't fussed about the exclusion of others. On the other hand, I could understand why they'd left out some of the characters from the comics as they really just felt like spare parts and extra bodies with no real purpose besides getting killed off.
Maggie remained in the show but Hershel's other kids there were 5 others besides Maggie were condensed into the character of Beth, who I admit I wasn't the biggest fan of but I think having just her instead of trying to squeeze all the others into it made a lot more sense for the show. There were certain plot lines that I felt would've been great had they been added to the show but there were also others that I thought were probably best left out or altered as some of them were.
I was glad that Shane view spoiler [ was around for longer in the show, I felt like that escalated way too quickly in the comics and I liked the slow build up to it in the show seeing Shane get to the breaking point hide spoiler ]. I loved the fact that because the two vary in the way that certain plot points play out, and they change up who dies and when, it made the comics completely unpredictable. I had no idea what was going to happen and it was fantastic.
Over all, I did really enjoy the comics and will definitely be reading the rest because I am hooked. Despite the fact that I do prefer the show and explained some reasons why above, I still thought this was excellent. I feel bad rounding down to 4 stars because I am aware that my opinion is affected due to the show and if I had read this first I would probably have different feelings towards a lot of it, but I just can't do it.
Both hold up on their own, but also kind of compliment each other. The artwork is amazing and really draws you into the story pun unintended , and I have to say I think the show got the casting spot on.
I highly recommend this comic series to anyone, whether you're a fan of comics or a fan of the show who's intrigued. Jan 11, Gregsamsa rated it really liked it. The increased public awareness of post-traumatic stress disorder has had a positive effect on zombie comix. Before recent wars and criminal adventures and subsequent psycho-medical research and publicity, PTSD was all but ignored by zombie comix.
Characters would be terrorized by zombies, displaced from their homes by zombies, see friends, loved ones, and coworkers die and then become zombies, but with the exception of some tears and wailing there were no real emotional consequences to zombie-rela The increased public awareness of post-traumatic stress disorder has had a positive effect on zombie comix.
Characters would be terrorized by zombies, displaced from their homes by zombies, see friends, loved ones, and coworkers die and then become zombies, but with the exception of some tears and wailing there were no real emotional consequences to zombie-related events that would have to be profoundly traumatic.
OK, I could be wrong, never having read any zombie comix comix is the wrong word, but graphic novel? Does that describe an incomplete collection of separate issues? But I'm just assuming zombie comix were pretty much like most action comix, movies, novels, and television shows where it is commonplace for characters to witness the most disturbing things and experience fallout for only twenty or so scripted seconds or less: We have to move on.
My favorite television series The Walking Dead is not like that. I read the first compendium of the comix it was based on to see if they were like that. They are not. They are full of rich post-traumatic goodness.
Er, badness. This is about people who are so messed up by the zombie apocalypse that you realize the title may really be referring to them. But how else could there be 1, pages of comix about a zombie apocalypse if it were all: Zombies are coming!
These comix are less about zombies than they are about interpersonal dynamics among individuals under an inconceivable amount of stress with all familiar support and comfort erased. I've always had a taste for fiction that highlights the fragility of society.
It is so easy to let ambient convention sink so deep into your skin that you are utterly of the mass illusion that the way things are is natural, inevitable, given, reality. Good fiction Blindness can deliver the nice nasty shock it takes to wake up from that dull dream, but unfortunately the bad fiction is, in that sense, soporific. The Walking Dead is good fiction, though not unconventional enough to provide a broader scope of such wakey-wakey shock beyond the post-apocalyptic PTSD thang.
Wares are rare, as are Clowes. If you know of more, please say. It's about time more folks were giving graphics an overdue modernist kick in the ass. But as far as reliance on tradition goes, you could do worse than Shakespeare.
Yes, I said Shakespeare: On Ethics and Zombies So, does The Social Contract get seriously edited, redacted, remixed, or tossed on the fire when the implied society of "social" is relegated to a nostalgia you'd best not indulge? If random chance and arbitrary tragedy are the only reasons a group is thrown together is there an obligation to defend the group, and from what does this obligation arise?
On what grounds do you harm outsiders for this obligation? This is just a slip of the mighty wads of ethical issues that erupt and are handled mostly badly by the characters, but you should expect nothing less, er I mean more , from the irrevocably traumatized.
Nov 12, Madeleine rated it liked it Shelves: Some spoilers for both the show and the graphic novel herein. I tried not to include too many. You have been warned. Forget everything you know and hear me out: Zombies are the great equalizing scourge. One of the first books my younger self fell hopelessly in love with which probably explains an awful lot was Stephen King's "The Stand. Having watched society repeatedly crumble away so many times through this particular King-colored lens has left me kind of immune to dispatches from the end of the civilization as we know it -- y'know, in the literary sense.
Being one of the most affecting reads of my formative years, "The Stand" is also, for better or worse, what I can't help but measure other end-of-days fiction by. I've mentally revisited it quite a bit in the past few years the stuff of that tale is lodged in my brainmeats for always because, whatever your opinion of Sai King is, the guy paints some uncomfortably visceral, lingering images as my own longstanding zombie fascination has invariably led me to books like "World War Z" and somewhat regrettably "Pride and Prejudice and Zombies" and I suppose "Night of the Assholes" counts, too, since bizarro zombies are still zombies and dozens of undead-themed flicks and marathons of "The Walking Dead," which ALWAYS end in a few nights of zombie-related nightmares just once, there were kitties to make the whole nocturnal shebang less horrifying.
The thing about the apocalyptic scenario in "The Stand" and other media that take the disease route to decimating humanity is that there's no cure, no battle plan, no hope of survival beyond sheer, dumb luck.
And that's too fucking terrifying for our control-freak culture. Just like a natural disaster, a weapon of mass destruction, a meteor strike or whatever other cataclysmic event that could be the end of life as we know it, widespread, airborne pestilence fucks up everyone's game with no hope of fighting back.
But we still like to pretend that we have some control over both our environment and the course of our lives. Zombies are the enemy you actually have a fighting chance against AND come with the bonus of an annihilated societal infrastructure. Hate your job? Hate your neighbors?
Hate your family? Hate your first-world problems in general? Want to kill some folks without any real repercussion you know, other than waving goodbye to the simple hassles of life before the dead claimed the apex-predator role? Man gets to fall back to his more primitive nature as society becomes increasingly bizarre and stifling, the sweet release of all-out chaos is a welcome fantasy, is it not?
And I think, with our actual times being as strange and stressful as they are, it's cathartic to imagine oneself in a world where all those mundane problems are obliterated by tending to the daily survival we've come to take for granted in our coddled state. It's a weird return to less civilized ways without losing the safety that our civilized facades allow.
But, unsurprisingly, I digress. When shit gets cray-cray, it's ridiculous to expect that people will behave as anything other than the humanimals they are once all of society's safety nets are effectively obliterated and that taking the nonviolent high road will result in anything other than becoming a victim with no law or legal counsel to help reclaim your once-idle existence.
Overall, the characters in the graphic novel seem less like caricatures than they do in the show. I know it's easier to get into a character's head to understand their thought processes and motivations in a book but they actually seems less interchangeable and predictably dramatic in these pages. He's grappling with a black-and-white perspective while realizing that even a world of Living vs.
Dead has plenty of room for grey areas. Micchone is a fucking animal in both worlds and I love both versions of her, though I wish her AMC counterpart got as much back story as she did in the book because she is a complex little warrior.
Graphic Novel Lori was infinitely less irksome than TV Lori, so watching her and Baby Judith eat it once the Woodbury folk opened fire on 'em was really, really fucked up.
Oh, hey, while we're on the topic of fucked up: She's the one character whose television incarnation is so much more stable than her GN counterpart. She freely admits to being damaged well before the era of the undead The Governor who looks like a more intimidating Danny Trejo, which I didn't think was possible even in an artist's rendering is It reinforced the notion that when the dead roam the earth, the living are the real enemy.
And then it made me want to start digging a moat around my house. Just in case. The art wasn't really earth-shattering in originally or anything but it was still pretty damn good. I did like the black and white inking, which was totally a metaphor for something. The starkness of such an approach certainly meshed well with the tone of the story.
What struck me hardest was how the kids, especially Sophia and Carl, frequently look like miniature adults. Whether it was intentional or something I imagined entirely on my own or whatever, it was definitely a nice, subtly rendered touch. All told, I'm not really sure how I feel about this eight-book collection, honesty. I think, like a lot of things that straddle multiple representations across different media, it's hard not to compare one to the other, which took away something from both the show and the book for me.
I mean, it was fun and disturbing and I couldn't tear through it quickly enough but it was missing something. It's certainly the first thing I've read that really dealt with the survival aspect of the zombiepocalypse as it's happening and how people's reactions would obviously run the gamut of emotions in the aftermath of such an event but I would have loved more post-zombie psychology and less hanging around waiting for the shit to happen.
I guess, obviously, in a real-world situation, there WOULD be more inaction once a haven like a reclaimed prison was secured, and I can't really fault it for attempting to make such an unbelievable scenario more credible and less outrageous but Not like that'll stop me from reading more, though. I actually do like the characters and the way this one ended was just fucking brutally awful.
I have a very real need to know what happens to these fictional people because I am more emotionally invested in them than a mentally healthy person ought to be. Good, viscera-strewn fun, this.
But I really wouldn't recommend reading it in tandem with the show -- not because of the potential for spoilers they're certainly different enough animals for that to not be a real problem but because it is bloody confusing when things are just similar enough to create confusion in keeping the specifics of each "Walking Dead" straight.
Dec 23, Jamie rated it it was amazing Shelves: Originally read in early Reread May I started to read this series after watching the first season however short it was of The Walking Dead tv series. I had head it was based off a comic series but knew little else. When I spotted this massive comic at the library, I just had to check out out. So glad I did! The book is similar to the tv series yet there are lots of differences. I don't want to spoil one or the other by saying too much.
But a few things include: No Darryl. Tyrese has a Originally read in early Tyrese has a daughter, not a sister. Hershel's personality is quite different. Some characters live a lot longer, others die much sooner.
So if you have seen the series and are thinking that since you have, there is no need to read this, then you are very wrong. Although Rick, Carl ans Glenn are probably the most stable of all characters. The beginning is basically the same but it does take some different routes and the focus is sometimes different. I loved comparing the two. Some of my favorites here I don't like in the tv version For example I love Andrea in the comics but nearly despise her in the series-although I do like the actress.
But bottom line, there is a lot that can be new.
This gives up the first 48 volumes of the comic series You can read this compendium or just read them one at a time or there are in-between sized volumes to read. It is a very in-depth series that is worth taking your time through it.
Lots of small details in the art especially. This series is zombie fan MUST! Mar 18, Yodamom rated it it was amazing Shelves: I am a fan of the show, a serious fan. I'm not a big fan of many comics so I went for the novels on Woodbury and the Gov. Oh my, if you haven't read this get to them, fast. I finished those 6 books quickly so time to try the graphic.
I should have known these aren't a best seller for nothing. I am now officially a Robert Kirkman fan. This is what a zombie book should be, gross, bloody, gore plus I am a fan of the show, a serious fan.
This is what a zombie book should be, gross, bloody, gore plus and full of heart stoping moments. The illustrations are wonderfully detailed I spent time just looking at pages drawn with intricate parts, amazing. I can't tell you anything about the deaths the, back stabbing the love, and torture that would ruin it. These semi follow the TV series, there are differences that will surprise. Read it May 26, Asghar Abbas rated it it was amazing. Heck yeah, this will get you in the mood. Lovely corpses, all those bones, that skull, mermaid skeletons and skeletal trees.
All the cranium juice for you to drink, delicious. What I am saying is, I loved this huge ass volume. It was everything I expected it to be and more. Everything I look for in a source material. This graphic novel has eluded me for so long, I've been meaning to read it for such a long time, so this felt like homecoming to me.
In more ways than one. Officer Rick Grimes, from the Sheriff Deparment in Cynthiana, Kentucky, suffers a shot injury on duty and he falls into a coma. When he wakes up in a hospital bed, after several weeks, he finds himself alone in the building, or at least he thinks that he is alone. Morgan explains him how the world gone to hell while Rick was in coma. On Atlanta, he finds Glenn, an Asian-American young man, who explains him how the world works now. What the hell are we going to do now?
However, that seems to be an impossible goal since there are zombies everywhere! Any potential paradise reveals a hidden biting snake. In our society, you never would want to go prison, but in an apocalyptical dystopia plagued with zombies, a prison would look like the logical choice.
A shocking revelation will expose a new facet about their life-and-death condition. And also, they will find soon enough that zombies may be deadly, but men are evil.